![]() ![]() These clusters show that the note-rate and timbre of a melody can be inferred reliably from visual texture correspondences alone. Different textures were also chosen for different note-rates, with more granular/separate textures being chosen with slow note-rate melodies, and more fibrous/connected textures being chosen with faster note-rate melodies. added support for Navi cards (ETH-only mode). Note that previous versions support up to 299 epoch, you will not be able to use old versions after 299 epoch. Latest version is v15.0 - Supercharged Edition: - now miner supports up to 384 epoch (4GB DAG size). k-means clustering analyses revealed strong timbre and note-rate effects: cello melodies were paired with straight/sharp/fibrous textures, and piano melodies with curved/smooth/granular textures. v15.0 supports up to 384 epoch (4GB DAG size). Crucially, the cross-modal melody-to-texture associations corresponded to specific musical features. Welcome to Color Cross Online, the official Facebook page A refreshing puzzle game for all the brai. Curved/Straight=.92, Simple/Complex=.89, Granular/Fibrous=.80). Melodies-to-texture associations were also mediated by shared geometric features (e.g., Sharp/Smooth=.96. Unlike music-to-color associations, the Happy/Sad correlation (r=.31). Results indicated that cross-modal melody-to-texture associations were emotionally mediated, because the correlation between the emotional ratings of the music and the emotional MTAs of the chosen textures were so high (Angry/Not-Angry=.79, Calm/Agitated=.91, Active/Passive=.76, Harmonious/Disharmonious=.64). For each dimension, we computed Music-Texture-Associations (MTAs) as a weighted average of the ratings of the 3 textures chosen as going best/worst with each melody. Next, they rated each melody, and later each texture along 5 emotional dimensions (Happy/Sad, Angry/Not Angry, Agitated/Calm, Weak/Strong, Harmonious/Disharmonious), and a series of geometric dimensions (e.g., Simple/Complex, Sharp/Smooth, Granular/Fibrous, Curved/Straight, Separate/Connected). ![]() time as moving target lights of the same color cross a line on the screen. First, 46 non-synesthetic participants picked the 3 most-consistent (and later 3 least-consistent) textures for each of 32 variations on a synthesized melody from a 4x7 array of black-and-white textures. This step involves the selection of a mining approach to identify patterns of. We also investigated whether these associations are mediated by emotional and/or geometric factors. The present research asks whether specific musical features mediate cross-modal associations from music-to-texture by using single-line melodies that vary along highly controlled musical dimensions: register (low/high), mode (major/minor), note-rate (slow/medium/fast), and timbre (piano-sound/cello-sound). Previous research indicates that systematic music-to-color cross-modal associations in non-synesthetes are mediated by emotion (e.g., Palmer et al., 2013 Langlois et al., under review Whiteford et al., VSS-2013). ![]()
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